This show is very eager to display the interaction between katana blade and flesh. Stylistically speaking the fights aren’t the sort where they leap all over the roof tops, but they rather focus on the precise moment of contact between two opponents slowed down to the degree required for you to appreciate the subtlety of their swordsmanship skills.įor those of you too baffled by the story to make much sense of it, you can still rely on Shigurui to serve you up some of the goriest scenes ever rendered in the medium of animation. This is presumably so that when the fights do occur, they can make the animation incredible. From a visual point of view it goes for a subdued almost monochrome effect, and many of the scenes aren’t animated a great deal. It also has a rather unsettling introduction. If you lack familiarity with the concept of a traditional Dojo, then a lot of what’s going on will just leave you highly confused. It doesn’t really tell a story, it merely implies it.
This show has a curiously impenetrable style to it, one that really leaves it to the viewer to work out what the hell is going on. The rest of the story features his quest for more powerful techniques, and him using them on the Dojo members, and sometimes passing cats. Anyway, Irako ends up pissing off Fujiki who is a member of the Dojo, along with all the other Dojo members, and gets himself cast out and blinded with a nasty Katana slash to the eyes. The dojo members serve Kogan’s whims as best they can, as they are eager to get him to impart any knowledge he has to them. Kogan is very unpredictable and while he has brief moments of clarity, and he also brief moments of wanting to do horrible things to women. It is also about the eccentricities of the Dojo’s six-fingered master Kogan, who is very old but still incredibly powerful but yet is teetering on the edge of senility. The plot is set in a very grim Edo-era Japan, and is based around the Kogan Ryuu Dojo where a man named Irako Seigen challenges the Dojo members seeking to learn their hidden technique. Shigurui is an anime based on a manga, based on a novel, so there’s a lot of background reading to do if you really want. Shigurui isn’t quite that brilliant unfortunately, but it’s still pretty darned good. The show is a seinen historical drama by animation studio Madhouse, and genius director Hirotsugu Hamasaki who’s last work was the brilliant Texhnolyze (a show so great that it actually sickens me to think that almost no-one has seen it).
When you get down to it, Shigurui is largely a discourse on the devastating effect a Katana can have on the human body. Actually, I’m not sure if I can pin exactly who the target demographic of the show is. No, not teens, real adults with jobs and stuff. So why don’t people watch it? Probably because it’s about as penetrable as a steel reinforced mountain, but also because because unlike most of anime it seems to actually be aimed at adults. What does that say about me? A good way of measuring how many people have seen a show is by how many people have bothered rating it on animenewsnetwork, in this case a mere 51 people. Muramasa: The Demon Blade - Desarrolladora(s) Vanillaware Distribuidora(s) JP Marvelous Entertainment NA Ignition Entertainment EU Rising Star Games Plataforma(s) Wii … Wikipedia Español Manga Force: The Ultimate Collection - Manga Force The Ultimate Collection The Manga Force logo Editor None credited Categories Anime Frequency Fortnightly Publisher Manga Entertainment … Wikipedia
Muramasa: The Demon Blade Box art Developer(s) … Wikipedia Muramasa: The Demon Blade - This article is about the video game. Contents 1 Filmography 1.1 Anime roles … Wikipedia He is more known for his work as an ADR director at FUNimation Entertainment. Shigurui - シグルイ (Shigurui:Death Frenzy) Género Artes marciales Manga Shigurui Otros títulos シグルイ Creado por Takayuki Yamaguchi … Wikipedia EspañolĬhristopher Bevins - (born Octoin Los Angeles, California) is an American voice actor and ADR director who is also known as Chris Bevins.
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